Johann Sebastian Bach, though largely unaffected by the trends of his time, reimagined many older forms with striking originality, shaping the course of Western music. Among his innovations is the sonata for a melodic instrument (such as the viola da gamba) and obbligato harpsichord, where both parts engage in equal dialogue—a model later expanded by his sons and composers like Haydn, Mozart and Beethoven. Following their acclaimed first album dedicated to Corelli’s Sonatas Op. 5, Teodoro Baù and Andrea Buccarella now present their second duo recording: the Sonatas for viola da gamba and harpsichord by J.S. Bach, each revealing a unique stylistic approach within a unified form.
Bach: Sonatas For Viola Da Gamba And Harpsichord BWV 1027-1030 – Teodoro Baù
Sonate für Viola da gamba und Cembalo D-Dur BWV 1028
1. Adagio
2. Allegro
3. Andante
4. Allegro
Sonate für Viola da gamba und Cembalo g-moll BWV 1029
1. Vivace
2. Adagio
3. Allegro
Sonate für Viola da gamba und Cembalo G-Dur BWV 1027
1. Adagio
2. Allegro ma non tanto
3. Andante
4. Allegro moderato
Sonate für Flöte und Cembalo h-moll BWV 1030a (bearb. für Viola da Gamba und Cembalo von Teodoro Baù)
1. (Andante)
2. Siciliano
3. Presto
4. (Allegro)
Teodoro Baù, Andrea Buccarella
20,90€
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