Roberto Laneri can rightly be considered a complete outsider of music, as difficult to place stylistically as it can be framed in a single sphere of musical influence. The multitude of experiences that he brings with him is in fact such and multiple as to make him elusive and this latest work BLUESPRINTS / FAKE MUSIC further demonstrates both the genius and the visionary nature of the author. To be able to orient oneself within it, it is never necessary as in this case to understand its subtitle: A study of metamusicology. In fact, this title contains the key to access the entire work made up of suggestions, juxtapositions and reworkings according to the aesthetic uniqueness of the author who presents original compositions, combined with those of Schumann, Schubert but also Joplin and Roll Morton. Multiple languages that come together in a single overview divided into five chapters as in an ideal opera. An effective study that places at its center the music of other authors who constantly dialogue with a spiritual imaginary that changes its original features, making them their own.
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