Does Chopin’s music have even deeper roots in Polish folk music than so far imagined? After a prolonged study of the folk sources and patriotic songs of Chopin’s native land, and of his art of improvisation, Edoardo Torbianelli reveals his findings on a superb 1842 Pleyel piano from the Paris Musée de la Musique.
Chopin: Origins – Edoardo Torbianelli
Mazurka in C-sharp minor, Op. 6 No. 2
Polonaise No. 1 in C-sharp minor, Op. 26 No. 1
Nocturne No. 14 in F-sharp minor, Op. 48 No. 2
Mazurka No. 19 in B minor, Op. 30 No. 2
Polonaise No. 5 in F-sharp minor, Op. 44
Mazurka No. 33 in B major, Op. 56 No. 1
Prelude in E major, Op. 28 No. 9
Polonaise No. 6 in A-flat major, Op. 53 “Héroïque”
Prelude in C minor, Op. 28 No. 20
Nocturne No. 13 in C minor, Op. 48 No. 1
Mazurka No. 40 in F minor, Op. 63 No. 2
Mazurka No. 7 in F minor, Op. 7 No. 3
Nocturne No. 15 in F minor, Op. 55 No. 1
Mazurka in A minor, B. 134 “Notre temps”
Mazurka in C major, Op. 33 No. 3
Fantasia in F minor, Op. 49
Mazurka No. 37 in A-flat major, Op. 59 No. 2
Edoardo Torbianelli
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