Giovanni Battista Riccio lived in Venice when the city’s music was dominated by illustrious figures such as Monteverdi and Gabrieli. Riccio won aristocratic patrons and his surviving three collections of sacred music, which also contain instrumental compositions, attest to his standing in the city and beyond. His music is flowing and full of variety, not least in the liveliness of motifs, use of binary and triple time, sound painting and employment of echo effects. His Motets setting passages from the Song of Songs, offer unusually expressive and refined depth.
Giovanni Battista Riccio: Vocem iucunditatis, Sacred and Instrumental Music – Estrovagante Ensemble
Canzon a quattro (1614)
Exultat Maria (1614)
Salve Regina (1612)
Canzon a due in echo (1614)
Dilectus meus (1614)
Vocem iucunditatis (1614)
Ascensionis hodie (1612)
Canzon a due (1614)
In te Domine speravi (1612)
Ascensionis hodie (1612)
Deus canticum novum (1614)
Ego sum panis vivus (1614)
Surrexit Dominus (1612)
Canzone (1612)
Ego dormio (1612)
Surrexit Dominus (1612)
Indica mihi (1612)
Congratulamini mihi (1612)
Ave Domine (1614)
Sonata a quattro (1614)
Estrovagante Ensemble, Anna Piroli, Maria Chiara Gallo, Massimo Lombardi, Alessandro Ravasio
17,90€
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