in Early Music Today (Jun, 2015)
Luca Marenzio is, for many, the purist’s madrigal composer: a prime exponent of the prima pratica (before that upstart Monteverdi came along and broke all the rules), but also receptive of and responsive to the latest compositional trends, his works are perfectly formed and range from the light and frothy to the wrought and chromatic. He was certainly the one composer in the genre whose fame spread the farthest – the appearance of his music in the 1588 Musica Transalpina, published in London, was hugely influential in sparking the English craze for madrigals; and, had he lived longer (he died aged 45), would undoubtedly now share in the wider renown …
Marenzio, Luca: Quinto Libro Di Madrigali A Sei Voce
Leggiadrissima eterna Primavera (Madrigal)
Amatemi ben mio (Madrigal)
Ecco che ‘l chiel a noi chiaro e sereno (Madrigal)
Nel dolce seno della bella Clori (Madrigal)
Rivim fontane e fiumi all’aur’al cielo (Madrigal)
Come fuggir per selva ombrosa e folta (Madrigal)
Baci soavi e cari (Madrigal)
Uscite, uscite ninfe (Madrigal)
S’a veder voi non vengo, alma mia luce (Madrigal)
Coppia la sua man la mia (Madrigal)
Con la sua man la mia (Madrigal)
Giunto un bel finte il trasmutato in fiore (Madrigal)
Leggiadre ninfe e pastorelli amanti (Madrigal)
Candide perle (Madrigal)
Vivrò dunque lontano (Madrigal)
Spiri dolce Favonio Arabi odori (Madrigal)
La Compagnia Del Madrigale
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