In Monteverdi’s Lament, the Erik Westberg Vocal Ensemble presents two contemporary works that reimagine poetry and music connected to the legacy of Claudio Monteverdi. Drawing on 17th-century sources, these compositions set historical and contemporary choir music in dialogue with interactive technologies and the hyperorgan—an instrument enhanced with digital control functions that allow performance beyond the traditional keyboard. The result is an exploration of the creative tension between past and present, echoing the spirit of innovation that shaped Monteverdi’s music in the early 1600s. Carl Unander-Scharin’s Lamento è più takes inspiration from Ottavio Rinuccini’s libretto for the lost opera Arianna, originally set by Monteverdi in 1607. Created in collaboration with choreographer Åsa Unander-Scharin, this 2023 work expands the expressive potential of the 17th-century text through a dynamic interplay of choreography, choir, and hyperorgan.
Monteverdi’s Lament – Åsa Unander-Scharin
Carl Unander-Scharin Lamento e più for Genki Wave-controlled Hyperorgan (2023)
I. Prologo
II. Exclamatio
III. Cumulatio
IV. Caos e struttura
V. Addio in retrograde
VI. Finale
Claudio Monteverdi Sestina (arr. TCP/IP Quartet) for ensemble and electronics (c. 1610/2024)
Preludio. I. Incenerite spoglie, avara tomba
Interludio I
II. Ditelo, o fiumi, e voi ch’udiste
Interludio II
III. Darà la notte il sol
Interludio III
IV. Ma te raccoglie o ninfa
V. O chiome d’or, neve gentil del seno
Borduno
Interludio IV
VI. Dunque amate reliquie
Åsa Unander-Scharin, TCP/IP Indeterminate Place Quartet, Robert Ek, Stefan Östersjö, Mattias Petersson, Federico Visi
18,90€
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