When Sally Beamish wrote her duo Tracing for (Martin Roscoe and me) to perform at Londons Wigmore Hall, we knew we wanted to share it with as many people as possible. As we were considering how best to programme Tracing, I kept thinking of more nocturnes, cradle songs, and works with a nighttime theme or feel that I love playing. There were pieces central to my childhood that made me fall in love with music and the violin, such as Lili Boulangers Nocturne and Faurs Berceuse. There were also pieces which I came across later, such as the beautiful Nocturne by Johannes Rntgen, a manuscript of which was recently sent to me. Martin and I arrived at a selection that takes us on a colourful journey through many different characteristics of the nighttime, portrayed by a range of wonderful composers: the music is by turns gentle, passionate, despairing, joyful, cocooning with surprises hidden in every shadow.
Fenella Humphreys
Moon Shadows – Fenella Humphreys
Mayer Notturno, Op. 48 No. 2
Röntgen Nocturne
Coleridge-Taylor Ballade, Op. 73
Hensel Adagio, H-U 72
Poldowski Berceuse de l’enfant mourant
Clarke Midsummer Moon
Beamish Tracing
Szymanowski La berceuse d’Aïtacho Enia, Op. 52
Fauré Berceuse, Op. 16
Ravel Berceuse sur le nom de Gabriel Fauré, M. 74
Fauré Après un rêve, Op. 7 No. 1
Boulanger Nocturne
Sutton Eulogy
Fenella Humphreys, Martin Roscoe
22,90€
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