Mozart Week 1994 – Camerata Academica des Salzburger Mozarteums

Introduktion: Sind wir schon angekommen?
Ach! zu kurz ist unsers Lebens Lauf KV 228 (Doppelkanon F-Dur oder Es-Dur für 4 Stimmen)
Der Liebe himmlisches Gefühl KV 119 (Arie)
Conservati fedele KV 23 (Arie)
Per pietà, bell’idol mio KV 78 (73b) (Arie zu Metastasios Artaserse)
Si mostra la sorte KV 209 (Arie)
Voi avete un cor fedele KV 217 (Arie)
Un bacio di mano KV 541 (Ariette)
Das Bandel (Liebes Mandel, wo ists Bandel) KV 441 “Bandel-Terzett”
No, no che non sei capace KV 419 (Arie zu Anfossis Il curioso indiscreto)
Ombra felice… Io ti lascio KV 255 (Szene für Alt)
Ah, lo previdi…Ah, t’invola agl’occhi miei KV 272 (Rezitativ und Arie zu Paisiellos Andromeda)
Cosi dunque tradisci… Aspri rim orsi atroci KV 432 (421a) (Rezitativ und Arie für Bass)
Misera, dove son?… Ah! non son’io che parlo KV 369
Misero! O sogno. Aura, che intorno spiri KV 431 (425b)
Popoli di Tessaglia!… Io non chiedo KV 316 (300b)
Lacrimoso son’io KV 555 (Kanon a-moll für 4 gleiche Singstimmen)
Per questa bella mano KV 612 (Arie für Bass)
Caro mio Druck und Schluck KV 571a (Quartett)
Rivolgete a lui lo sguardo KV 584 (Arie zu Cosi fan tutte)
Immer spielt ihr und scherzt (Clarice cara mia sposa) KV 256 (Duett für Tenor- und Bassstimme)
Vorrei spiegarvi, oh Dio! KV 418 (Arie für Sopran und Oboe)
Basta, vincesti – Ah non lasciarmi, no KV 486as (Scena für Sopran)
Mentre ti lascio, o figlia KV 513 (Arie zu Pasiellos La disfatta)
Per pieta, non ricercate KV 420
A questo seno deh vieni… Or che in cielo a me ti rende KV 374
Einsam bin ich, meine Liebe (Fragment) KV 475a
Io ti lascio, oh cara, addio KV Anh. 245 (621a) (2. Fassung)

Veronica Cangemi, Cyndia Sieden, Elzbieta Szmytka, Nathalie Stutzmann, Michael Schade, Oliver Widmer, Klaus Stoll, Siegmund Weinmeister, Heinz Holliger, Camerata Academica des Salzburger Mozarteums

Format: 3 CD
Release date: 3/4/2026
SKU: 4260415080950 Categorieën: , ,

31,90

This 3CD set was recorded on 7 days between 7 and 23 August, 1994 at the Salzburg Mozarteum, in cooperation with the Salzburg International Mozarteum Foundation’s Mozart Week, Ombra Felice. It features a broad programme of works comprising rarely heard individual arias, scenes and fragments for soprano, alto, tenor, baritone, speaker and double bass, or a combination, with orchestra or piano. These include abandoned or unfinished drafts, as Mozart’s singers (or sometimes Mozart himself) were not always entirely satisfied with them, while others were contributions to foreign opera productions, which were often performed in the form of pasticcios at that time.

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