Reger Inspired By J.S. Bach – Michael Schoch

Toccata und Fuge d-moll BWV 565 (bearb. für Klavier von Max Reger)
1. Toccata
2. Fuge
Ach wie flüchtig, ach wie nichtig BWV 26 (Kantate) (bearb. für Klavier von Max Reger)
O Mensch bewein deine Suende gross (bearb. für Klavier von Max Reger)
Fantasie und Fuge über B-A-C-H op. 46 (bearb. für Klavier von August Stradal)
1. Fantasie
2. Fuge
Ich ruf zu dir, Herr Jesu Christ BWV 177 (Kantate) (bearb. für Klavier von Max Reger)
Durch Adams Fall ist ganz verderbt BuxWV 183 (Choralvorspiel) (bearb. für Klavier von Max Reger)
Das alte Jahr vergangen ist BWV 1091 (Neumeister-Choral) (bearb. für Klavier von Max Reger)
Herzlich tut mich verlangen BWV 727 (bearb. für Klavier von Max Reger)
Variationen und Fuge über ein Thema von J. S. Bach h-moll op. 81
1. Thema – Variationen
2. Fuge

Michael Schoch

Format: 1 SACD Hybrid
Release date: 7/11/2025
SKU: 0760623236964 Categorieën: ,

23,90

Michael Schoch is equally at home on both the piano and organ – the best prerequisite for this recording of Reger’s piano transcriptions of Bach’s organ works! Lucid transparency characterises the performance of the celebrated ARD prize winner, fed by a deep familiarity with both worlds, which Reger would also have appreciated.

Unlike many of his contemporaries, Reger approaches his arrangements with the utmost respect: the musical text is barely altered and special pianistic effects are largely dispensed with. Bach’s polyphonic movement, often difficult to follow in the dense organ sound, suddenly becomes crystal clear in the famous D minor Toccata, without sacrificing tonal opulence.

The legendary Steinway concert grand piano ‘Manfred Bürki’ from 1901 seems to have sprung directly from Reger’s late romantic sound world. With the grandiose Variations on a Theme by Bach Op. 81, Reger nods to his adored role model; a welcome opportunity for Schoch to also include a major pianistic work by the tradition-conscious avant-gardist on the programme.

The Fantasia and Fugue on B-A-C-H acts like a unifying bracket. This organ work, which is as powerful as it is complex, is probably one of Reger’s best-known; Schoch’s finely balanced playing of the piano version by August Stradal replaces the often awe-inspiring rigour with airy clarity, satisfying even the most discerning listener.

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