S. Rachmaninov: Piano Concertos 1 – 4 – de la Salle

Konzert für Klavier und Orchester Nr. 1 fis-moll op. 1
1. Vivace
2. Andante
3. Allegro vivace
Konzert für Klavier und Orchester Nr. 2 c-moll op. 18
1. Moderato
2. Adagio sostenuto
3. Allegro scherzando
Konzert für Klavier und Orchester Nr. 3 d-moll op. 30
1. Allegro ma non tanto
2. Intermezzo: Adagio
3. Finale: Alla breve
Rhapsodie über ein Thema von Paganini op. 43
Introduktion: Allegro vivace
Variation 1: Precedente
Thema: L’istesso tempo
Variation 2: L’istesso tempo
Variation 3: L’istesso tempo
Variation 4: Più vivo
Variation 5: Tempo precedente
Variation 6: L’istesso tempo
Variation 7: Meno mosso, a tempo moderato
Variation 8: Tempo
Variation 9: L’istesso tempo
Variation 10: Poco marcato
Variation 11: Moderato
Variation 12: Tempo di minuetto
Variation 13: Allegro
Variation 14: L’istesso tempo
Variation 15: Più vivo scherzando
Variation 16: Allegretto
Variation 17: Allegretto
Variation 18: Andante cantabile
Variation 19: A tempo vivace
Variation 20: Un poco più vivo
Variation 21: Un poco più vivo
Variation 22 – Marziale: Un poco più vivo (Alla breve)
Variation 23: L’istesso tempo
Variation 24: A tempo un poco meno mosso
Konzert für Klavier und Orchester Nr. 4 g-moll op. 40
1. Allegro vivace
2. Largo
3. Allegro vivace

de la Salle, Lise / Luisi, Fabio

Formaat: 3 CD
Release datum: 25/1/2016
Barcode: 7640165881040 Categorieën: ,

33,90

   in Piano International (Mar, 2016)
Presto Classical lists 44 recordings currently available for Prokofiev’s largest, most challenging and arguably greatest piano concerto – No 2 (1912-3, reconstructed in 1923 after the full score was lost), an astonishing number given its one-time reputation as near-unplayable and expressively ‘difficult’. The coupling with Tchaikovsky’s Concerto No 1 (of which there are 251 versions available) follows a recent trend elevating this massive work into the league of large-scale Russian concertos, as with Wang (Rachmaninov 3) and most recently Gerstein (the 1879 version of Tchaikovsky 1).

Rana’s conception of the Prokofiev is markedly different from her rivals: an expansive view not lacking in virtuosity – she takes the scherzo at an …

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