Spanish Renaissance polyphony has a reputation for florid, intricate contrapuntal textures and dark colours. Sebastián de Vivanco (c. 1551–1622), born in Ávila but active for most of his life in Salamanca, stands apart from his contemporaries: his music explores a much wider range of colours and techniques than that of, say, Victoria. In his more experimental and dramatic motets, some of which are heard here, he points the way towards the new Baroque. But in the calm sobriety of his Requiem, now reconstructed and recorded for the first time, he honours the Iberian tradition of unhurried chant-driven polyphony, all the more moving for its uncluttered clarity and exquisitely lovely chordal sequences.
Sebastian De Vivanco: Missa Pro Defunctis + Motets By Morales, Padilla, Ribera, Robledo & Vivanco – The Renaissance Singers
Cristóbal de Morales Circumdederunt me gemitus mortis a5 SATTB
Sebastián de Vivanco De profundis clamavi a4 SATB
Sebastián de Vivanco Parce mihi, Domine a4 SATB
Sebastián de Vivanco Versa est in luctum a6 SSATTB
Sebastián de Vivanco Manus tuae, Domine a4 SATB
Sebastián de Vivanco Missa pro defunctis a4 SATB
Introit: Requiem aeternam
Kyrie eleison (Guadelupe version)
Kyrie eleison (Salamanca version)
Tract: Absolve, Domine
Offertory: Domine Jesu Christe
Sanctus – Benedictus (Guadelupe version)
Sanctus (Salamanca version)
Agnus Dei
Sebastián de Vivanco Circumdederunt me dolores mortis a5 SSATB
Sebastián de Vivanco O Domine Jesu Christe a5 SSATB
Bernadino de Ribera Dimitte me ergo a6 SSAATB
Juan Gutiérrez Padilla Circumdederunt me dolores mortis a6 SSAATB
Melchor Robledo Salve Regina a6 SSAATB
The Renaissance Singers, David Allinson
15,90€
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