Steve Elcock – UK-born (in 1957) but based in France – was recently hailed by a fellow composer in the American magazine Fanfare as ‘the greatest living symphonist’. All eleven of the symphonies he has composed to date are, in various ways, concerned with the large-scale accumulation and dissipation of tension, rather in the manner of the later Nielsen symphonies – the half-hour span of his Fourth Symphony also reconciling tonality and atonality in its wild and energetic arch. Elcock is fond of bringing popular elements into his music, and a folk-like dance duly animates his Viola Concerto. These major works are book-ended here by two big-hearted orchestral showpieces that could become audience favourites.
Steve Elcock: Orchestral Music, Volume Four – Kenneth Woods
Hammering, Op. 15 for orchestra (2005)
Viola Concerto, Op. 29 for viola and orchestra (2017–18)
Symphony No. 4, Op. 19 ‘A golden rose fallen from the flat sea of time’ for orchestra (2012–13, rev. 2017)
Fermeture, Op. 38 for orchestra (2020)
Paul Silverthorne, Moravian Philharmonic Orchestra, Kenneth Woods
15,90€
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