Johannes Brahms: Works For Piano Vol.5 – Barry Douglas

Stücke für Klavier op. 118 Nr. 1-6 (Auszug)
Nr. 1 a-moll
Sarabande a-moll WoO 5 Nr. 1
Variationen über ein Thema von Niccolò Paganini op. 35
Thema: Non troppo presto
Variation 1
Variation 2: Poco animato
Variation 3
Variation 4: Poco allegretto
Variation 5
Variation 6: Poco più vivace
Variation 7
Variation 8: Allegro
Variation 9
Variation 10: Feroce, energico
Variation 11: Vivace
Variation 12: Un poco andante
Variation 13: Un poco più andante
Variation 14: Presto, ma non troppo
Variationen über ein eigenes Thema D-Dur op. 21 Nr. 1
Thema: Poco larghetto
Variation 1
Variation 2: Più moto
Variation 3
Variation 4
Variation 5: Tempo di tema
Variation 6: Più moto
Variation 7: Andante con moto
Variation 8: Allegro non troppo
Variation 9
Variation 10
Variation 11: Tempo di tema, poco più lento
Sarabande h-moll WoO 5 Nr. 1
Scherzo es-moll op. 4
Stücke für Klavier op. 76 Nr. 1-8 (Auszug)
Nr. 3 As-Dur
Stücke für Klavier op. 118 Nr. 1-6 (Auszug)
Nr. 4 f-moll
Ungarischer Tanz F-Dur WoO 1 Nr. 3
Stücke für Klavier op. 76 Nr. 1-8 (Auszug)
Nr. 4 B-Dur
Variationen über ein ungarisches Lied B-Dur op. 21 Nr. 2
Allegro
Variation 1
Variation 2
Variation 3
Variation 4
Variation 5
Variation 6
Variation 7: Poco più lento
Variation 8
Variation 9
Variation 10
Variation 11
Variation 12
Variation 13
Allegro (il doppio movimento) – Tempo I più animato
Ungarischer Tanz g-moll WoO 1 Nr. 1
Ungarischer Tanz fis-moll WoO 1 Nr. 5

Barry Douglas

Format: 1 CD
Release date: 12/10/2015
SKU: 0095115187821 Catégories : ,

20,90

   in Piano International (Jan, 2016)
This penultimate issue in the series once again mixes Intermezzos and dances from Brahms’ various collections with larger works, in this case three sets of variations and the coruscating Scherzo Op 4. It’s an approach that will not please purists, though in context its works very well, with the final pair of Hungarian Dances providing a delicious encore. Douglas’ playing is, as always, beautifully manicured, rhythmically alert and awash with colour. It may be a touch uneven in places and there are more vivacious accounts of the livelier individual tracks, but Douglas’ shaping of the three variation sets is masterly, as is his playing of the Scherzo. Chandos’ sound is bright …
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