in Early Music Today (Mar, 2012)
This superbly researched and recreated ear-opening anthology, crafted with such presence and authority, finds Jordi Savall immersed in the cultural melting-pot of Istanbul with a constellation of performers from Armenia, Bulgaria, France, Greece, Israel, Morocco, Spain and Turkey. The earliest named composer in this magisterial melange is Hace Abd lkadir Meragi (1350- 1435) and there are Sephardic romances, Armenian dances and, building on their previous purely instrumental recording Istanbul, more material from the Cantemir manuscript. The spectrum of instrumental colour and the three contrasted voices with their glissades of vocal ornamentation are captured in a wonderful hybrid SACD recording, lavishly packaged with a booklet in seven languages. She only appears on …
La Sublime Porte, Voix d’Istanbul. Savall.
Dervis Mehmed
Uzzal usules Darb-i feth, taksim & makam
Hace Abdülkadir Meragi
Kar-i Ses-avaz, segah kar
Anonyme, Armenian
Siretsi yares Taran Noubar noubar, Chanson & Danse
Anonyme
Por alli paso un cavallero
Dimitrie Cantemir (1673-1723)
Buselik usules, taksim & makam
Buhûrîzade Mustafa Itrî Efendi (circa 1640 – 1711)
Hisar Agir Semai, Mélodie
Anonyme, Armenian
Taksim & Danse, for kemence & percussion
Traditional, Jewish
Prière
Angeli, Tanburi
Rehavi Cember, taksim & makam
Hespèrion XXI (1974-) (1974 – )
Gazel, Improvisation
Anonyme
Hicaz usules Devr-i Kebir, taksim & makam
Traditional, Sephardic
Punxa, punxa
El Rey que muncho madruga
Tanburi Mustafa Cavus (died 1745)
Hisarbuselik Sarki, pour voix & traditional ensemble
Gousan Ashot
En Sarer 2, plainte pour 2 duduks
Hace Abdülkadir Meragi
Amed nesim-i, rast nakis beste
Gursoy Dincer (voix)
Lior Elmalich (voix)
Montserrat Figueras (soprano)
Hesperion XXI
Jordi Savall
20,90€
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